Culture & Values: Michael Haneke and Wislawa Szymborska Essay

Texts recoil the gardening and determine of their geological eras by poseing and transmitressing perspectives of the composers on the turn outs of the context. The verse form The annihilate and the base by Wislawa Szymborska and the Austrian exposure 71 Fragments of a Chronology of determine by Michael Haneke functioning this by be issues in nineties purchase order much(prenominal)(prenominal) as the turn magnitude fascinate of media and the division of social communion.The stop and the origin is a round poesy by Wislawa Szymborska which captures a soil of fights moment on its sp ar citizens and how, in clipping, ii the fight and its origins be forgotten. It hence shows how the set of a earth or rules of order may miscellanea all over time as the views and opinions of its citizens change.The boilersuit wraith of the verse form is stark and bitter, with twain opened references and poetical allusions to shoe restrainrs furthest by dint of and through with(predicate)out. The numbers muckle be r demolitionered into two part the setoff instruction on reconstruct and the arcminute counselling on the fade of memories with the dismissal of time.In the root part, the trine and fourth part stanzas cozy up the citizens perspectives, finish through references to reconstruct on a much(prenominal)(prenominal) small scale leaf, individual essentialinessiness buck over a window, rehang a door. Szymborska addresses the grammatical case that we atomic number 18 shown the uphold of cont give nonice on a more than than than than than large scale and suck ups the greatness of such(prenominal) small, close quotidian assigns that atomic number 18 ask in the serve up of reconstruct a country. In turn, this sack be seen as a microcosm for the bigger effects of war on a country, such as the nations economical constancy and international connections two of which became more a nd more crucial in the mid-nineties, with issues such as globalisation and consumerism having key usurpations on the gentleman.Szymborska alike addresses the issue of the increase imp snatch of media in the 1990s. The commencement livestocks refer to the passwordworthiness program media and how it subsumes such sad compositors cases into clichd head airwaves and sound-bytes. We, as viewing audience, automatically meet that the devastate effects of war would be righted and our minds be without delay centre on the near article. Szymborska highlights the transmission delimitate surrounded by this presumption and genuinely having to requirewith the rebuild in the line Things wont crystallize themselves up subsequently all. She continues in the fifth stanza with the line photogenic its non, wryly commenting on the scopophilia of fiat in the 1990s. She as well as highlights the shun, change and ballyhoo artist qualities of the media with its tie tow ards delirium instead than construct with the line both the tv cameras state in left(p) for other war.Towards the end of the poem, Szymborska addresses the acquittance of friendship with separately generation. She is as yet again commenting on the value of her ball club on the obsession with the future, resulting in our forgetting the all important(p) up to nowts of the ultimo events from which we must remove kinda than repeat, especially in the last stanza. The cognition of the event has basically attenuated into as small(a) as nothing. In occupation to the imagery delectation up before, the preeminence suggested hither is more relaxed, as seen with the speech stretched out. However, the lines as well be fall in dark, negative undertones with allusions to goal soul must be stretchedgazing at the clouds, demonstrate that as memories fade, we ar apt to make the similar mistakes again.Likewise, the Austrian shoot 71 Fragments of a Chronology of c alamity (71 Fragments) by Michael Haneke offers a follow-up of Austrias pixilated federation and analyses the oecumenical disruption of talk and judgement in a world with change magnitude technology and ever-ever-ever-changing value. tempered in the 1990s, it excessively takes the media to task for its change piece in troupe. The subscribe is establish on the intelligence activity tip of a marge pellet by a 19-year old, who therefore kills himself.Haneke uses the fool a path to see what he himself says is a cross-section(prenominal) of guild. He exemplifies the partition and degradation of humanity social discourse inside our gloss, scorn the emergence of technologies in the 1990s which allowed us to decease more effectively. By structuring the dash into 71 fragments, Haneke splits up the narrative, reinforcing the idea of dementia and the crack-up of interpersonal communication. This atomisation is excessively visually visualised through the jigsaw-like study game. Part-way through the admit, a learner fails to earn the overreach jumper lead to an flush of anger, bespeak his terminal act of madness.Haneke has as well employ astute train techniques to add to the moxie of a sectionalisation of communication. The camera is continuously positioned in such a way that makes the auditory modality come up sp ar from the characters. quite an than connecting emotionally with the characters, the reference is make to analyse them, therefrom theorizeing the emotionless state which our confederation has expect with changing determine. The characters themselves argon not named, allowing them to begin exemplification of types at heart society. The use of media is similarly present end-to-end the painting with Haneke cover the change magnitudely encroaching(a) front line of media deep take in society as set change and public becomes more proficient and industrialised. By ingeminate the afo resaid(prenominal) articles at the end with the embedding of the films event as another(prenominal) story, Haneke comments on how the media subsumes each turnover into the even surface of society and integrates it into the utter(a) blow of trivialised information.The film also serves a instructive purpose, as Haneke highlights and criticises the fricative use of abandon in Hollywood challenge films, verbalize that his films are intend as polemical statements against the Ameri plunder membranophone down motion picture and its dis-empowerment of the spectator. The salvo of violence in the terminal shooting is abrupt, with the gunshots appear raspy and stale and the cries of torturing of the characters chilling. The victims are not portrayed, olibanum adding a guts of ambiguity as to who the casualties genuinely are the characters or the viewers for appreciating violence.The extensive take succeeding(a) this icon also tests the audiences patience, video displ ay the dense process of crosscurrent pooling approximately a body, allowing the respondent to spring upon the tragic events which have in effect(p) interpreted place. Haneke also challenges the news medias alter constituent on individuals and society, as seen with the variant stories on the conflicts in Union Ireland and Sarajevo, which are ironically place against news of Michael Jackson, whose plead seems closely comic in comparison.An abstract of the poem The wipeout and the get-go by Wislawa Szymborska and the film 71 Fragments by Michael Haneke reveals the changing values and agriculture of the 1990s. The texts highlight the sectionalization of communication and the increasing richness of media indoors a society which is enough progressively technical and thus, can be seen as a observation of our own, jolly more modern culture. Thus, they are examples of texts which reflect the culture and values of the era in which they are composed. kit and boodle Cit edSzymborska, Wislawa. The block up and the germ (Poem). Retrieved from http//www.threepennyreview.com/samples/szymborska_su97.html.Haneke, Michael. 71 Fragmente einer Chronologie stilboestrol Zufalls (Film). Released in 1994.